Featured
I approach each project with a deep commitment to mood, movement, and meaning—crafting images that don’t just look good, but feel lived in. Below, you’ll find my narrative reel and a selection of work that represents the kind of stories I love to help bring to life. I’m drawn to grounded, emotionally complex narratives, and I approach each project with a deep respect for tone, texture, and collaboration. From early conversations and lookbooks to the final shot, I aim to shape a visual world that holds the weight of the story and lets performance breathe.
They Call Me the Tattoo Witch is a piece I’m especially proud of. Visually rich and thematically bold, it reflects everything I value in storytelling: intention, intimacy, and the magic that happens when a crew moves as one. Below, you’ll find my narrative reel and a trailer for the film—a glimpse into the kind of work I love to create.
Narrative
As a Director of Photography, I’m drawn to the in-between—those moody, atmospheric moments where tone and tension live side by side. I love collaborating early with directors to build visual language together, often drawing inspiration from films and images that move us both. Shot lists are never handed down; they’re built side by side. I believe in crafting a lookbook that acts as our creative anchor throughout the process, helping us stay grounded in the emotional and thematic threads of the story.
I’m especially pulled toward dark comedy and stories that live in visual contradiction. My work on Little Lamb is a project I hold close—it pushed us creatively and technically. We played with shifting aspect ratios and light ratios to reflect the internal world of the characters. The final shot was a true collaboration between myself, the AC team, and the actress—choreographed tightly and intuitively. That morning, “Location” by Khalid came on during my drive, and something about it just clicked. It was playing in the background during our take, and our composer ended up weaving echoes of it into the score. Those are the moments I live for—where the visual and emotional worlds collide in unexpected harmony.
Short Form
In short form content—whether it's music videos, branded spots, or training vignettes—I approach each frame with the same narrative intention I bring to longer-form work. I’m drawn to rhythm, texture, and visual storytelling that speaks quickly but lingers. In music videos, I love leaning into the emotional tone of a track and building a visual world that feels both stylized and grounded. I treat camera movement and lighting like choreography—every shift matters.
With smaller-scale pieces like training content, I aim to elevate the material with cinematic quality while keeping the message clear and human. I love the challenge of working within constraints—finding creative solutions that serve both story and function. Whether I’m lighting a heartfelt moment in a music video or shaping a clean, consistent visual flow for a corporate vignette, my goal is always the same: make it look and feel intentional.
![Giant Waste of Man - AMPM [Official Video]](https://i.ytimg.com/vi/ccK3unJY5WU/maxresdefault.jpg)
Episodic
In episodic work, I thrive on building visual continuity while allowing space for character and story to evolve. As a DP, I see my role as both a creative partner and a steady hand—working closely with directors and showrunners to develop a cohesive visual language that can stretch and shift across episodes without losing its core identity. I love the challenge of sustaining mood and tone over time, while still finding fresh ways to reflect emotional beats or character arcs.
My approach blends careful planning with intuitive, on-the-day flexibility. I work closely with my camera and lighting teams to create a visual rhythm that supports story momentum, and I’m always looking for ways to push the look—whether through subtle lighting shifts, lensing choices, or movement that tracks with the emotional spine of the scene. Episodic storytelling is a true team sport, and I love being part of a crew that’s collectively building a world, one episode at a time.
Yas Kween - Episode 3
